In this preview, we take a look at three levels at which one might experience The Rapture, an installation by art and sound project Disinformation – to be exhibited at the Cable Depot in London during June 2022.
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How do you make sound visible and what might it bring to a listener’s experience? We spoke to multi-instrumentalist, composer, and creative artist Nigel Stanford to find out.
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We spoke to dTHEd about constructing impossible rhythms, developing a digital Oracle, and whether maths can be considered psychedelic.
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What does a coronavirus sound like? Or a mathematical proof? In this podcast, Andrew Dickson talks to Marcus Du Sautoy, Simonyi Professor at Oxford University, and Markus Buehler, Professor at MIT, to find out.
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